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Great Scenes – BROADWAY DANNY ROSE

Here’s a quick set-up and pay-off scene from one of Woody Allen’s most underrated flicks, Broadway Danny Rose (1984), impeccably shot in black and white by the late great Gordon Willis, who passed away earlier this year. We love this film’s wraparound device of a bunch of wise guys sitting around talking about some poor shlub talent agent named Danny Rose and how he came to be entangled in a love triangle involving a lounge singer (Nick Apollo Forte), his mistress (Mia Farrow), and a jealous gangster. Here you see a great example of Allen’s narrative strategy, who made a career of subverting story via fundamentally changing one essential element (most times casting himself as the unlikely lead in a story that would otherwise play “straight”). Here he flips the script by changing the setting in which a contrived situation occurs and turning a standard chase/shoot-out scene on its ear by adding one small (literal) element: Helium.

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June 18, 2014   No Comments

Great Scenes – LEGENDARY WEAPONS OF CHINA

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Last week’s Game of Thrones episode, The Mountain and the Viperfeaturing Prince Oberyn [Pedro Pascal]’s pre-climactic proficiency with the blood spear during combat with “the Mountain” Gregor Clegane [Hafþór Júlíus Björnssonvaguely reminded me of IOC favorite Lau Kar Leung‘s Legendary Weapons of China (1982), which features a similar weapon. And since everyone knows that here at the isle we love us some good kung fu, and everyone should know that kung fu doen’t get any gooder than in LKL’s Shaw Brothers films, we thought we’d revisit a scene from said movie. A pioneer of action filmmaking who got his start choreographing under director Chang Cheh and worked his way up to creating some of the most vibrant and perennial films of the genre [incl. Eight Diagram Pole Fighter, The 36th Chamber of Shaolin, Dirty HoHeroes of the East, Shaolin Mantis and everything that's ever influenced anything], LKL’s plots spring from a core belief in the peaceful way of the warrior, espouse respect for one’s enemy and convey the martial artist’s goal of attaining spiritual excellence through personal mastery. Having said all that, let us not forget that his flicks are also a feast of first rate acro-combatic pyrotechnics, especially when the director steps in front of the camera, as he does here with brother Lau Kar Wing, a fine director and choreographer in his own right. Watch the pair face off using the 18 weapons and muse on the fate of Oberyn: Think Lau would ever taunt an opponent when he’s down? That’s not the Martial Artist’s way – which is what this legendary filmmaker, the embodiment of Kung Fu, spent his life trying to teach: humility in victory. Which incidentally will also help keep your eyes where they belong – inside your head.

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June 7, 2014   No Comments

Great Scenes – GODZILLA VS. MEGALON

Now here’s a few somethings you don’t see every day: 1.) giant monsters working together in a complicated tactical formation, 2.) the same tail-skating you see in common lizards in nature, but this time on a grand scale, and 3.) gleeful fist-pumping enthusiasm from a legendary kaiju. Unquestionably one of the lowlights from the entire franchise, the above scene comes from ‘s 1973 Gojira tai Megaro. Notice the subtle way robot Jet Jaguar invites Godzilla to take another flying drop kick at Megalon. And notice that for some reason the kaiju are battling atop the World Trade Center in the US release poster, no doubt to tap into the popularity of producer Dino De Laurentiis‘ King Kong (1976).

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Of course we’re going to be looking at all sorts of Gojira goodness as we prepare for ‘ [2010's Monsters ] Summer re-boot. Check out the trailer:

Excited yet? Check out the poster and feast your eyes on the increase in creature scale:

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March 17, 2014   No Comments

Great Scenes – A NIGHT AT THE OPERA

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We’re back after a long hiatus with this fantastic scene from the Marx BrosA Night at the Opera (dir. by  Sam Wood, 1935), the trio’s (Groucho, Harpo and Chico) first film after leaving Paramount (and ditching Zeppo), made under the watchful eye of legendary MGM producer Irving Thalberg, who helped make it their biggest grossing film. The story of Otis B. Driftwood (Groucho) urging socialite Mrs. Claypool (perennial punchline Margaret Dumont) to donate $200,000 to the New York Opera Company, this scene – in which the stowaways pretend to be three famous aviators – is one of a handful of great scenes in this classic comedy. Enjoy!

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March 12, 2014   No Comments

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