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S is for Summer – MAN OF STEEL

An alien from planet Krypton crash lands on Earth and is raised by a couple from Kansas who protect him from the world as he matures into one of the most powerful beings in existence: the whole of Earth is no doubt familiar with Superman‘s origin story by now – whether from comic books or film, odds are you’re aware of Kal-El/aka Clark Kent/aka Supes. So in launching Man Of Steel [2013] director  has taken a risk tackling the iconic character and risking Super-franchise fatigue from the get go. But with the guidance of Legendary Pics producer Christopher Nolan, screenwriter  and composer Hans Zimmer, he manages to add a few twists to Jerry Siegel & Joe Shuster beloved Superman mythology, creating a film that – while not exactly fresh – is nevertheless chock-full of a vibrant confidence and plenty of tentpole swagger to justify the relaunch of a once proud franchise. Moments of bad dialogue and heavy-handed (unavoidable) exposition aside, Man Of Steel gets so much correct that it should have no problems ushering in a new flock of fans. Huge scope, high stakes and grand action sequences make this pound for pound the most entertaining Superman film to date – though NOT the BEST FILM – that’s undeniably Richard Donner & Christopher Reeve‘s Superman [1978]. I’m just saying this film is a huge tentpole that will easily step on a lot of this season’s blockbuster hopes with its huge red boots. This is no small feat when you consider the franchise was near death following the last attempt at a reboot, Superman Returns [2006]. The interesting thing about Man Of Steel is its unusual narrative, loaded with flashbacks that could have been a mess but  instead mirror the fractured mind of a person… um, alien… who is lost and confused, a Stranger in a Strange Land. And it works; the structure IS Superman. The minds behind Man Of Steel were smart not to try to emulate the earnestness we associate with the John Williams anthem-ed classic, instead creating a character that is larger than even the filmmakers themselves. And their interpretation works. Aided by a truly remarkable performance from Henry Cavill, there’s a ton of emotion on top of two tons of action, creating a character who’s accessible despite his super-humanity. He’s just plain likable; the ultimate boy scout, lonely and lost, a tortured soul who happens to go by the name of Kal-El from Krypton. Cavill fills the larger than life role with great poise, and while there’s no red underwear on display (sorry ladies), rest assured the dude looks a’ight in that S suit. And the supporting cast is super tight too: Kevin Costner brings irascible heart to protective foster parent Jonathan Kent, Michael Shannon (Boardwalk Empire, Take Shelter, and the classic Michael Shannon Reads the Insane Delta Gamma Sorority Letter video short) brings his notorious crazy eyed intensity to self-righteous heavy General Zod, while Antje Traue steals the show as Faorah-Ul, an instant classic badass! And the action sequences!?!? Exactly what you’d expect if Supes was real: mass destruction courtesy of pissed-off Kryptonians, with Metropolitans (residents of Metropolis?) caught in the crossfire. So much carnage it’s almost another in the line of apocalypse films. And since with huge scope comes huge cost you’ll find yourself snickering at some in-your-face-product-placement in all that smoldering rumble! In short, I had a damn good time, and hope DC Comics uses this as the bar when they attempt the inevitable sequel. So if you’re tired of superhero flicks I’ve got bad news for you: if they continue to be this bold and adventurous they’re here to stay.

man of steel

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