Here’s a quick set-up and pay-off scene from one of Woody Allen’s most underrated flicks, Broadway Danny Rose (1984), impeccably shot in black and white by the late great Gordon Willis, who passed away earlier this year. We love this film’s wraparound device of a bunch of wise guys sitting around talking about some poor shlub talent agent named Danny Rose and how he came to be entangled in a love triangle involving a lounge singer (Nick Apollo Forte), his mistress (Mia Farrow), and a jealous gangster. Here you see a great example of Allen’s narrative strategy, who made a career of subverting story via fundamentally changing one essential element (most times casting himself as the unlikely lead in a story that would otherwise play “straight”). Here he flips the script by changing the setting in which a contrived situation occurs and turning a standard chase/shoot-out scene on its ear by adding one small (literal) element: Helium.
June 18, 2014 No Comments