Category — Polish
OST = Original Soundtrack.
We continue our countdown with numbers 131-140…
For the first installment, including my self-imposed guidelines, check part 1.
Boris Sagal’s take on Richard Matheson’s classic I am Legend stars Moses himself – Charlton Heston – and reeks of 70’s sensibilities. The soundtrack is a fun affair, alternating between Ron Grainer’s quirky atmospheric score and jazz-tinged muzak, reminding us that an unpopulated Earth is much like an empty department store. Here’s track 2, “The Omega Man”:
Directors Serif Gören & Yilmaz Güney wrote and directed this award-winning Turkish film about prisoners on furlough which starred James Bond himself – Sean Connery – in a movie I’ve often confused for the sword and sorcery epic Yor, The Hunter From The Future, released a year later, and the old Atari 2600 title Yars’ Revenge, released a year earlier. Regardless, it’s a powerful soundtrack for a movie I’ve never seen, combining middle eastern elements with ambient electronics. Here’s track 6, “Horsemen in the Wind”:
Since 1983’s Le Dernier Combat Luc Besson has been employing Eric Serra as his composer of choice, and this soundtrack, their most recent collaboration, is their best – with a kooky, kitchen-sink approach that features cacophonous car horns, discordant electronics, a dramatic chanteuse and sweeping themes that capture the spirit of high adventure. Check out this target=”_blank”>trailer and tell me you don’t want to see the movie. You liar. Here’s track 2, “Hiéroglyphes”:
Don’t know much about this Bruce D. Clark biker flick, except that that cover is absolutely sick and the composer, Jeff Simmons, would later become a Frank Zappa collaborator. And that the music is rocking, with fuzz guitars and a steady rock beat.
Here’s track 1, “Naked Angels Theme”:
and track 5, “Cop Out”:
Louis Malle’s suspense noir might be a tad dated, but this Miles Davis soundtrack sure isn’t – it’s his best score for a film, though Kind of Blue is still the greatest soundtrack he ever wrote to a movie never made. Here’s track 5, “Florence sur les Champs-Elysées”:
Fred Zinnemann’s classic western gets a fantastic old-era-Hollywood score courtesy of Tiomkin, who also scored The Alamo, Guns of Navarone, Giant and countless other classics, and who later wrote the TV theme song for Rawhide. Here’s track 1, the main title, sung by Tex Ritter (John Ritter’s dad), which won the 1953 Academy Award for best song:
Anime director (Ghost in the Shell) Mamoru Oshii directed this live action sci-fi movie about a destitute future where virtual gaming determines financial reward-or death by catatonia. The film’s unique flavor stems from its Japanese-Polish production, heavy referencing of Arthurian mythology, and muted sepia-tone cinematography, and is carried over into the soundtrack, where Kawai’s haunting score features Polish language chanting and tons of murky futuristic melancholy. Here’s track 2, “Log Off”:
Michael Lehmann defined a generation with his smart, satirical high school revenge flick, which took John Hughes’ high school comedies and ramped ‘em up to high black-comedy heaven. The cold, electronic soundtrack enhances the feeling of detachment which Winona Ryder and Christian Slater feel in their popularity-obsessed high school. Composition runs in the family – Newman is the cousin of Randy, the brother of Thomas and the son of Alfred. Are any other Newmans gonna make this list? Are all of them? Do me a favor – Wait and find out. That way I can stop asking rhetorical questions. Here’s track 3, “JD Blows Up”:
The Brothers Quay deliver a vivid black and white dream of a movie, based on Kafka-predecessor Robert Walser’s Jakob von Gunten, a surrealistic 1909 novel about a mysterious institute where men learn to become servants. Lech’s sparse, haunting soundtrack, complete with strained strings, lonely trumpets, rumbling bass, haunting voices and intermittent silences makes it a perfect accompaniment, which also stands on its own as an eerie listening experience for fans of challenging music.
Here’s track 6, “Introdukja Liliowa”:
and track 8, “Kolysanka wg Erika S”:
Not many people have seen Skip Sherwood’s college film about a daydreaming teen, which not only features a young Gary Busey, but also a score by the legendary Mort Garson. Here is a review of the movie. A friend once bequeathed unto me an entire DVD full of Garson’s albums, including this one, and I’ve been a fan ever since (both of Garson and my friend).
Here’s track 5, “Kevin’s Theme”:
and track 9, “Walk to Grange Hall”:
20 OST’s down, 130 to go! What’s your favorite soundtrack? Will it make the cut? Check back next week, and be sure to leave feedback… it’ll make us stronger here at the isle!
Click to see part 1 (OST’s #141-150) , part 2 (131-140), part 3 (121-130), part 4 (111-120), part 5 (101-110), part 6 (91-100), part 7 (81-90), part 8 (71-80), part 9 (61-70), part 10 (51-60), part 11 (41-50), part 12 (31-40), part 13 (21-30), part 14 (11-20) and part 15 (1-10).
September 2, 2010 No Comments
SEXMISSION is a testament to what you can do with a clever concept tailored to your budget.
Seksmisja, or Sexmission (1984), is a cult Polish comedy that tells the tale of two bumbling scientists who volunteer to be hibernated for a 3 year experiment only to awaken 50 years in the future, after a mysterious nuclear war has wiped out the world’s male population. Finding themselves prisoners in an underground society run by women, their best-case scenario turns worst-case when the ruling matriarch judges that they are to be either killed or “naturalized” through castration. This nowadays-familiar plot (courtesy of Futurama among others) feels fresh in the hands of director Juliusz Machulski, who explores universal themes of totalitarianism and blind obedience in a subversive criticism of the Polish regime of the time. In tone and production values the movie recalls John Carpenter’s Dark Star, Woody Allen’s Sleeper, and the BBC series Red Dwarf, and fans of those works and of dystopian fiction in general will find it a rewarding experience. There’s plenty of humor, ample nudity, a fantastic twist in the third act, and a final freeze-frame that rivals the 400 Blows for the most memorable in film history. And curiously enough, though the only on-line trailer I could find has audio issues, a simple search will yield the entire film, complete with English subs!
June 18, 2010 No Comments